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To shock students out of complacency. The story is deliberately uncomfortable, forcing readers to confront poverty not as a statistic but as a lived, brutal experience.

But she doesn’t get off. Instead, she makes a silent, horrifying decision. She will offer a stranger something other than cash. When the conductor reaches her, she whispers, “Wala po akong pamasahe” (I don’t have fare). Before he can throw her out, she quietly tells him she can “pay” in another way — referring to her body. The conductor, initially shocked, refuses out of public shame.

If you’ve ever ridden a crowded jeepney in the Philippines, you know the ritual: “Bayad po.” “Para po.” But what if you couldn’t even afford that small fare?

She endures this repeatedly throughout the long trip to Manila. Her baby, miraculously, sleeps through most of it. When the bus finally reaches Manila, the mother is bruised, hollow-eyed, and silent. The driver hands her a small envelope. Inside is a pile of pesos — more than enough for food, milk, and a place to stay for a few days.

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