April is not perfect. But it is the month when everything becomes possible again. And in a world that so often asks us to be certain, to be finished, to be done—that possibility is its own kind of perfection.
And then—the green. Oh, the green. It arrives overnight, it seems. One morning you look across the valley and the trees are still gray twigs. The next morning, they are wrapped in a haze the color of pistachio. This is the famous "spring green," a shade that painters have tried and failed to capture for centuries. It is not a color so much as an event. It is the sound of chlorophyll rushing through a trillion tiny veins. It is the planet holding its breath and then letting it out all at once. The bird feeders, neglected all winter, suddenly become battlefields. The goldfinches are losing their olive drab for buttercup yellow. The juncos, those snowbirds, are packing their bags for the north, and in their place come the newcomers: the phoebe, pumping its tail on a fence post; the kinglet with its jewel-like crown; and finally, the herald of everything good, the song sparrow, singing from the highest branch of the lilac bush. month in spring
So here is to the middle child of spring. Here is to the month that cannot make up its mind. Here is to the puddles and the crocuses, the wood frogs and the phoebes, the green haze on the hillsides and the last, stubborn patches of snow in the north-facing ditches. April is not perfect