Ãëàâíàÿ | Ðåöåíçèè | «Ìîå ëåòî ëþáâè»
Ðåöåíçèÿ íà ôèëüì

Êàäðû èç ôèëüìà




Áëîã





Ãîëîñîâàíèå

Âàø ëþáèìûé æàíð…



Epson Photo Printer Software [extra Quality] Here

Øàðèê íå óëåòåë

Êàòåðèíà Òàðõàíîâà, «Ôèëüì.Ðó»

«Ìîå ëåòî ëþáâè» (My Summer of Love)

My Summer of Love
Àíãëèÿ, 2004
Ðåæèññåð Ïîë Ïàâëèêîâñêè
 ðîëÿõ Íàòàëè Ïðåññ, Ýìèëè Áëàíò, Ïýääè Êîíñèäàéí, Äèí Ýíäðþñ



Epson Photo Printer Software [extra Quality] Here

Arthur opened . This was the oldest ghost. It had a monochrome icon and buttons that said things like "Head Cleaning" and "Power Flush" and "Align Printhead." There was no progress bar. There was only a spinning beach ball and hope.

He had bought it used from a retiring commercial photographer, a beast of a machine capable of printing a panorama six feet wide. The hardware was a masterpiece—ten individual ink channels, a MicroPiezo printhead that whispered rather than clattered, and a vacuum platen that held paper as flat as a frozen lake. But the previous owner had forgotten to wipe the computer. And on that computer, like a dormant demon, lived the software. epson photo printer software

It was worse. Now the shadows were crushed into a black void. The highlights were blown out. Arthur opened

In Epson Print Layout, he found "Color Management" > "ICC Profile." He selected the new profile. Rendering intent: Perceptual. Black point compensation: On. He printed again. There was only a spinning beach ball and hope

A week of perfect prints followed. Then, a band. A thin, hairline white stripe across every print.

He loaded a sheet of Hahnemühle Photo Rag. He opened a TIFF file of a mossy oak tree he’d shot on 8x10 film. He went to File > Print.



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