Caa Ed Mirvish Theatre May 2026

To step inside is to leave the 21st century at the coat check. Originally opened in 1920 as the Loew’s Yonge Street Theatre , this house was built for spectacle. In the golden age of vaudeville and silent film, it was known as a “picture palace”—designed not just to show movies, but to make audiences feel like royalty. Think gilded balconies, a massive ceiling dome, velvet drapes, and enough plaster cherubs to staff a small heaven.

And at King and Yonge, happiness has a permanent address. caa ed mirvish theatre

Toronto’s entertainment district pulses with neon and foot traffic, but at the intersection of Yonge and King Streets, one building doesn’t just stand—it presides . With its glowing terracotta facade, a grand marquee that has announced everything from The Lion King to Hamilton , and a history etched into every brass handrail, the CAA Ed Mirvish Theatre is more than a venue. It is a time machine dressed in Edwardian splendor. To step inside is to leave the 21st

As Ed Mirvish once said: “I don’t sell tickets. I sell happiness.” Think gilded balconies, a massive ceiling dome, velvet

Ushers wear red jackets. The bars are fast and efficient. And there’s a democratic spirit—no bad seat, no snobbery. Ed Mirvish famously believed that theatre shouldn’t be elitist. That’s why you’ll see tuxedos next to sneakers, and teenagers next to grandparents. Every theatre has a ghost, but the CAA Ed Mirvish has history . Old-timers swear that the spirit of a former stagehand named Jack still adjusts the curtain weight. More tangibly, the building survived the demolition-happy 1970s, a fire in the 1990s, and the COVID shutdown that silenced its marquee for nearly two years.