That night, she slid the disc into her dad’s old player. Track 1 hit like a time capsule: “Baby One More Time” — but that was 1998, the very end of the decade. No, the list started earlier. Real earlier.

Her older sister’s anthem. Mira had watched her sister kick a guy to the curb in real time — not with drama, just a pointed finger and a walkman blaring this track. Girl power wasn’t a slogan. It was a bus ticket out of a dead-end town.

The first CD Mira ever bought. She’d practiced the lyrics in the mirror, convinced that if she just harmonized correctly, the boy in third-period English would notice her. He never did. But the song stayed — a monument to harmless, aching hope.

Mira’s dad, now quiet and gray, had once owned a flannel shirt. She’d seen photos. This song explained the torn jeans, the messy hair, the way he’d stared out the window for years after his brother died. Grunge wasn’t fashion; it was exhaustion.

Her mom had sung this at karaoke the night before she left for a job that became a career that became an absence. Mira remembered crying into a milkshake while adults clapped. The song still smelled like vanilla and goodbye.