“We were the best invisible artists in the world,” says , a veteran animator who worked on The Amazing Spiez! . “We could match any style—French, American, Japanese. But we had no style of our own.”
More co-productions with Malaysia, Indonesia, and Japan. The proposed Singapore-Malaysia Animation Corridor (under discussion) could allow SG studios to access regional talent at lower cost while keeping IP ownership.
There’s no glamour. No motion capture suits. Just pencils (digital), passion, and deadlines.
Netflix and Prime Video pay for “minutes delivered,” but they favor 3D CGI because it’s cheaper and faster to revise. 2D is seen as artisanal—beautiful, but risky.
By [Author Name]
(While known for Oddbods in 3D, their 2D division is thriving) They recently produced Insectibles and Petronix Defenders using a hybrid 2D rigging system (Toon Boom Harmony) that mimics traditional hand-drawn fluidity while keeping costs competitive.
For most of the late 90s and early 2000s, "2D animation production in Singapore" meant one thing: . Local artists were world-class "hands" but not "heads." They cleaned up in-between frames for The Powerpuff Girls , colored backgrounds for Dexter’s Laboratory , and animated sequences for The Simpsons .
“We were the best invisible artists in the world,” says , a veteran animator who worked on The Amazing Spiez! . “We could match any style—French, American, Japanese. But we had no style of our own.”
More co-productions with Malaysia, Indonesia, and Japan. The proposed Singapore-Malaysia Animation Corridor (under discussion) could allow SG studios to access regional talent at lower cost while keeping IP ownership. 2d animation production singapore
There’s no glamour. No motion capture suits. Just pencils (digital), passion, and deadlines. “We were the best invisible artists in the
Netflix and Prime Video pay for “minutes delivered,” but they favor 3D CGI because it’s cheaper and faster to revise. 2D is seen as artisanal—beautiful, but risky. But we had no style of our own
By [Author Name]
(While known for Oddbods in 3D, their 2D division is thriving) They recently produced Insectibles and Petronix Defenders using a hybrid 2D rigging system (Toon Boom Harmony) that mimics traditional hand-drawn fluidity while keeping costs competitive.
For most of the late 90s and early 2000s, "2D animation production in Singapore" meant one thing: . Local artists were world-class "hands" but not "heads." They cleaned up in-between frames for The Powerpuff Girls , colored backgrounds for Dexter’s Laboratory , and animated sequences for The Simpsons .