2013 Candice Demellza |best| <2024-2026>

“Next year. Maybe.”

By Lydia Cross | September 2013

At just twenty-two, the Cape Town-born, London-based singer and producer occupies a strange, thrilling limbo. Her voice—a husky, almost detached alto that can crack open into something disarmingly vulnerable—feels both out of time and perfectly suited for the anxious, glittering early 2010s. Comparisons to a young Beth Gibbons or a less polished FKA twigs are inevitable, but Demellza shrugs them off with a quiet smile. “I just wanted to make songs that sounded like the inside of a rainy car window,” she told me over coffee in Hackney. “Pretty, but smeared.” 2013 candice demellza

Her debut EP, Saltburn , dropped in April on the tiny independent label Glass Wax. No PR blitz. No radio plug. Just seven tracks of lo-fi electronics, warped cello samples, and that voice. The lead single, “Heavy Hand,” started as a bedroom recording on a broken Tascam 414. By June, it had been streamed over 400,000 times—a viral drip, not a flood.

In 2013, the internet was still a collage—Tumblr’s grainy GIFs, early Instagram’s Nashville filter, and the last gasp of the indie sleaze era. Demellza’s visual world taps directly into that vein. Her music videos (self-directed, shot on a friend’s Canon 60D) feature thrift-store lace, flickering CRT televisions in empty fields, and the kind of melancholic, sun-bleached loneliness that defined the early work of Lana Del Rey —minus the calculated glamour. “Next year

As we part ways on a drizzly Kingsland Road, she pulls out a battered notebook. On the cover, scrawled in silver Sharpie: Candice Demellza – LP1 (do not steal). She catches me looking and winks.

For now, 2013 belongs to the quiet ones. And no one is quieter—or louder—than her. Listen: “Heavy Hand” by Candice Demellza is available on Glass Wax Records / Bandcamp. Comparisons to a young Beth Gibbons or a

“Lana is a character,” Demellza clarifies. “I’m just… me. But the me that doesn’t text anyone back for three days.”